![]() The man looks down at the city from its highest point, but by doing so removes himself from it. He attempts, and succeeds, at creating a separated and elevated sense of space. He is framed by the office window, and his head is profiled against another window and the wall of the building beyond, in a manner that suggests his containment within his environment. Despite the light and air afforded by his corner office, he appears trapped in place. The postwar culture of American business is evident in the mass-produced office furniture, the impersonalĪtmosphere of the office itself, and the man's detachment from his unseen coworkers. "My aim was to try to give the sense of an isolated and lonely office interior rather high in the air, with the office furniture which has a very definite meaning to me."The solitary office worker in this scene is isolated both physically and emotionally.There is no indication of his particular profession, as he sits in his shirtsleeves he appears, in fact, to be daydreaming rather than working. It depicts a man sitting in a corner office surveying the landscape outdoors. It is owned by the Metropolitan Museum of Art in New York City. Office in a Small City is a 1953 painting by the American realist painter Edward Hopper. In a Gallery of their Own: Isolation and Separation.
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